CRMSS Tutors
CRMSS Ontario 2025
CRMSS Atlantic 2025
CRMSS Pacific 2025
Greg Skidmore
Back to topThe Tallis Scholars, I Fagiolini, Alamire, Eric Whitacre Singers
Greg will be a tutor at: CRMSS Ontario 2025, CRMSS Atlantic 2025, CRMSS Pacific 2025
Previous courses: CRMSS 2018, CRMSS 2019, CRMSS 2021, CRMSS 2022, CRMSS Ontario 2023 , CRMSS Pacific 2023, CRMSS Ontario 2024, and CRMSS Pacific 2024

Credit: Paul Arthur
Born in Canada, Greg Skidmore arrived in England as an undergraduate at Royal Holloway College, University of London. After graduating with First Class Honours in Music, his post-graduate Choral Scholarship at Wells Cathedral lead him to Lay Clerkships at Gloucester Cathedral and Christ Church Cathedral in Oxford. He now lives in London, England and pursues a varied career as a consort, choral, and solo oratorio singer alongside his burgeoning work as a conductor and workshop leader.
Greg is one of the UK's most sought after consort singers. He has appeared with The Tallis Scholars, The Sixteen, The Cardinall's Musick, Tenebrae, The Gabrieli Consort, Alamire, Contrapunctus, The Eric Whitacre Singers, Collegium Vocale Ghent, Ensemble L'Arpeggiata, Cappella Amsterdam, and La Grand Chapelle (based in Madrid). He can be heard on discs released by Decca, Deutsche Grammophon, and Harmonia Mundi USA, including recent Grammophone Early Music Award winning recordings with Alamire (‘The Spy’s Choirbook’) and The Tallis Scholars (‘Missa Hercules Dux Ferrarie, Missa D'ung aultre amer & Missa Faysant regretz’). In 2015, he featured in I Fagiolini’s Betrayal, a fully staged, devised presentation of the madrigals and sacred music of Carlo Gesualdo. 2017, the 450th anniversary of Monteverdi’s birth, was a busy year for I Fagiolini, and Greg performed many concerts of Monteverdi’s madrigals and sacred music, toured a new CD release, and performed his opera L'Orfeo this year with the group. 2019 saw Greg take part in an extensive tour of I Fagiolini’s Leonardo: Shaping the Invisible project, in collaboration with Dr Martin Kemp, a leading scholar on the life and art of Leonardo da Vinci. In 2020 and 2021, he featured in all of the Voces8 LiveFromLondon festivals, appearing with both I Fagiolini and the Voces8 Foundation Choir. Greg's work with both I Fagiolini and The Tallis Scholars continues, and he recently sang in his hundredth concert with that group.
Greg also works as a soloist. Solo engagements have included working with ballet dancer Carlos Acosta in his A Classical Farewell at the Royal Albert Hall in London, England; Handel’s Messiah with the Irish Baroque Orchestra; Purcell’s Ode for St Cecilia's Day with the Orchestra of the Age of the Enlightenment; Purcell's Fairy Queen with the Gabrieli Consort; and Monterverdi’s 1610 Vespers at the Brighton Early Music Festival, and with I Fagiolini and the BBC Singers at the Barbican Centre. His solo recording debut was as Christus on Ex Cathedra’s recording of the Lassus St. Matthew Passion and another Ex Cathedra CD release of Alec Roth’s oratorio A Time to Dance features Greg in a role written specifically for him.
While at Christ Church in Oxford, he began a course of doctoral research in Musicology at the University of Oxford and started his own men’s voices consort, I Dedicati. More recently he was appointed Musical Director of Brighton Consort, a Renaissance specialist amateur chamber choir. In 2014 he founded The Lacock Scholars, now one of the UK's premier amateur vocal consorts, with whom he has recorded and toured extensively. In 2025 he founded the West Australian Renaissance Music Summer School in Perth, Australia, exporting the successful model he pioneered at CRMSS to the other side of the globe. He has given other workshops and masterclasses in the UK, France, Canada, New Zealand, the Netherlands, and Australia in association with The Sixteen, I Fagiolini, and on his own, specialising in various collections of Renaissance polyphonic repertoire. Greg has assisted Eamonn Dougan, Associate Conductor of The Sixteen, and Justin Doyle, Chief Conductor of RIAS Kammerchor (Berlin) in leading week-long singing courses specialising in early music and vocal chamber music and he is increasingly engaged in Canada as a guest conductor, clinician, and record producer. He has been published in Early Music and his writing has appeared in programmes and CD liner notes for The Tallis Scholars, The Sixteen, The Cardinall’s Musick, The Gabrieli Consort, Tenebrae, and Ex Cathedra.
Greg says:
"2025, here we come! I can't quite believe that we'll be running THREE courses this year, but I'm so excited to be doing so. CRMSS really does continue to go from strength to strength and, building on our best summer yet last year in 2024, I'm really looking forward to what new heights we reach. The themes this year are fantastic: Palestrina and Gibbons in Ontario offer us polyphony with real class, and in Vancouver it's difficult to top Tallis, Byrd, Parsons, Taverner, and the rest of the Tudor geniuses. I'm also very happy to be expanding our CRMSS International Scholars programme and bringing a group of some exceptional students from the UK to Vancouver. Join us!"
Matthew Long
Back to topI Fagiolini, The Sixteen, Tenebrae, The Dunedin Consort
Matt will be a tutor at: CRMSS Pacific 2025
Previous courses: CRMSS 2018, CRMSS 2019, CRMSS Ontario 2023 , and CRMSS Ontario 2024

Matthew Long was a successful treble soloist, singing the role of Miles in Britten's Turn of the Screw for Italian Opera houses. He studied music at the University of York and sang as a choral scholar in the choir of York Minster during his time there. He later won a scholarship to the Royal College of Music, London. Whilst there he was a Susan Chilcott Scholar and a Royal Philharmonic Society Young Artist. At various times, he has been a member of the celebrated chamber choirs, The Sixteen and Tenebrae and continues to sing as a part of the solo voice ensemble, I Fagiolini.
Matthew has appeared as a soloist with many UK based ensembles, including The OAE, The English Concert, The Hanover Band, The Dunedin Consort, The Bournemouth Symphony Orchestra and the LPO. Highlights have included Bach, St. Matthew Passion for the Boston Handel and Haydn Society; Britten, War Requiem for Jonathan Willcocks in Salisbury Cathedral. In 2017 he performed the title role in Monteverdi's Orfeo to critical acclaim in a series of semi-staged productions in Norway and the UK with I Fagiolini. Further performances are planned in York and London in 2019. In December 2017, Matthew sang the Evangelist for three concerts of Bach's, Christmas Oratorio with the Danish Radio Choir in Copenhagen. He is increasingly known as a Monteverdi specialist, regularly performing the 1610 Vespers, most notably for the national youth choirs of Great Britain at the Albert Hall, London and at the Osaka Jo hall, Japan with the Berlin RIAS Kammerchor. He appears as tenor soloist on the Dunedin Consort's 2017 recording of the same piece.
During the pandemic, Matthew and his wife and children built a successful online children’s music resource: www.minimusicmakers.co.uk. They performed daily classes for over a year from their front room to toddler audiences worldwide.
Matthew's debut solo disc with the LPO and accompanist Malcolm Martineau, Till the Stars Fall, was released in 2015. Recorded at Abbey Road Studios, gems from the English song repertoire sit alongside folk songs in celebration of some of Britain's finest music. He performed this programme in May 2018 as part of the 'Music in the Cotswolds' festival for Martin Randall Travel.
In his spare time, Matthew is a keen photographer and follower of wildlife conservation. He lives with his wife, daughter, and brand new son near Brighton, UK.
Matt says:
"Having been involved with CRMSS Ontario since the olden days, I’m excited to have finally been given permission to traverse the Rockies. Tutoring at CRMSS has become one of the undisputed peaks of my working year. I really looking forward to surmounting a range of music and to meeting everyone in Vancouver for what promises to be a rewarding week of singing at CRMSS Pacific 2025!"
Tom Castle
Back to topThe Tallis Scholars, Sixteen, Gabrieli Consort, Stile Antico
Tom will be a tutor at: CRMSS Ontario 2025
Previous courses: CRMSS Ontario 2023 and CRMSS Ontario 2024

Originally from Wolverhampton in the West Midlands of England, Tom lives in London, England and is a tenor, organist and teacher. A music graduate from the University of Bristol, Tom specialises in early music and has a busy schedule working with some of the UK's leading choirs and orchestras. As an ensemble singer, Tom works regularly with the Tallis Scholars, the Gabrieli Consort, the Sixteen, Stile Antico, and the Gesualdo 6. As a soloist, he has performed with the English Concert orchestra and the Orchestra of the Age of Enlightenment and will be making his debut with the City of Birmingham Symphony Orchestra for a performance of Handel's Messiah at the Symphony Hall, Birmingham this year. Tom was recently part of the Gabrieli Consort's recording of Purcell's operas King Arthur and the Fairy Queen, which won the BBC Opera disc of the year and was nominated for a Gramophone award. Tom has been involved in church music all of his life, and has held positions in the Cathedral choirs of Exeter, Bristol, Chichester, and Southwark; he also deputises regularly in the choirs of St Paul’s Cathedral and Westminster Cathedral.
As a teacher Tom has worked in both a classroom and peripatetic capacity. He is currently a singing teacher at the Royal Ballet School and also combines this with accompanying the students for examinations and concerts. He is the vocal coach for the Collegiate Church of St Peter’s Wolverhampton and regularly trains the choristers and choral scholars there. Recently he was part of a project to bring classical music to children from disadvantaged backgrounds, involving various week-long projects that culminated in a concert in the Rose Theatre, Whitehaven.
A massive sports fan, when not making music Tom is often watching or playing sports and is a loyal fan of Wolverhampton Wanderers Football Club and Worcestershire Royals Cricket Club!
Tom says:
"I’m incredibly excited about being a part of this fantastic project, The Canadian Renaissance Music Summer Schools. I have a huge passion for Renaissance music and can remember as a boy first singing Byrd's Ave Verum; something stirred in me and I have been in love with the music ever since. There is something mesmerising about the complexity and beauty of polyphony and I can’t wait to share my passion with the course!"
Victoria Meteyard
Back to topThe Tallis Scholars, The Sixteen, Tenebrae
Victoria will be a tutor at: CRMSS Ontario 2025
Previous courses: CRMSS Ontario 2024

Victoria is an ensemble singer and teacher based in London, UK. She started singing as a chorister in St Mary’s, Warwick and went on to study Maths and Music at Royal Holloway, University of London as a Choral Scholar. After graduating she continued her development through several young artist programmes, including as a member of Genesis Sixteen, an Apprentice of the Monteverdi Choir and Associate Artist with Tenebrae. She now enjoys a busy touring career, singing regularly with the Tallis Scholars, Tenebrae and the Sixteen in many of the world’s most beautiful and prestigious venues.
She was also a member of the Chapel Choir in the church of St Peter's ad Vincula inside His Majesty's Tower of London for the last five years. Victoria performs as a soloist, and recent highlights include Bach’s St John’s Passion at Coventry Cathedral, Couperin and Clérambault at Keble Early Music Festival Oxford, and Scarlatti's Stabat Mater with solo voice ensemble, the Marian Consort. She appeared on recent recordings with Tenebrae, singing solos in Britten’s Ceremony of Carols on In Winters House, and Hildegard chant on When Sleep Comes.
Victoria enjoys teaching singing at Putney High School and coaching various amateur choirs. She is also Consort Leader of the UK-Japan Music Society, with whom she regularly appears as a soloist, and toured Japan with a recital of British and Japanese duets with her husband Jules Gregory, a member of The King's Singers.
Victoria says:
"I am so looking forward to finally discovering Canadian Renaissance Summer Schools for myself after hearing so many lovely stories about it! It is a wonderful thing to share musical experiences with like-minded singers and I can’t wait to get involved! It’s especially exciting to be working on Tallis’ epic Spem in allium which still blows my mind every time I sing it!"
Sharang Sharma
Back to topElmer Iseler Singers, Tafelmusik
Sharang will be a tutor at: CRMSS Ontario 2025, CRMSS Atlantic 2025, CRMSS Pacific 2025
Previous courses: CRMSS 2021, CRMSS 2022, CRMSS Ontario 2023 , CRMSS Pacific 2023, CRMSS Ontario 2024, and CRMSS Pacific 2024

Sharang is Choral Music Director and Lecturer in Arts and Social Sciences at Huron University College in London, Ontario. He sings with Tafelmusik Baroque Chamber Choir, The Elmer Iseler Singers, and has appeared regularly with Soundstreams Choir 21. While active on the Canadian historical and contemporary music scenes, Sharang has also sung with ensembles in the United Kingdom while there for his studies. He completed his Bachelor of Music at Western University, and his Masters at Oriel College, University of Oxford. While at Oxford, Sharang was the tenor lay clerk at The Queen’s College, and sang with numerous Oxford- and London-based ensembles, including the Academy of Ancient Music and Instruments of Time and Truth for the BBC. His extensive choral and operatic repertoires are built through performances with The Strand Consort, Fount & Origin, Spectra Ensemble, King’s College London Chapel Choir, as well as semi-professional and amateur choral societies in the UK.
In Canada, Sharang has been engaged in choral work at various cathedrals, chapels, parishes, and colleges, all of which have prepared him for a life in ecclesiastical music. He has performed with ensembles like Kammerchor, Chor Amica (formerly Gerald Fagan Singers), UWOpera, and Western University Faculty of Music choirs, and was the latest James T. Chestnutt Choral Conducting Scholar with the Elmer Iseler Singers. He has also premiered music by established and budding composers in Canada, the UK, and the USA. Sharang has co-edited Nota Bene: Canadian Undergraduate Journal of Musicology, and presented his research at GAMuT (University of North Texas) and Oriel Talks (Oriel College, Oxford).
Currently, Sharang divides his time between conducting the Chapel Choir at Huron, singing in Toronto, and teaching a survey course on historical/global musics. As a veteran of the CRMSS experience, he is delighted to be back to witness the process of new folks getting absolutely excited about Renaissance Polyphony!
Sharang says:
"People will tell you about their best moments at CRMSS. I, however, will pinpoint the worst one; it's the hour after the course ends. The silence during your travel back home from the course, is the silence of a void that, you come to realise with the passing of time, was occupied by magnificence and beauty for a whole week. There are few things in the world that make grown people cry for no apparent reason, and this is one of them. Tears of absolute joy!"
Christina Hutten
Back to topUniversity of British Columbia
Christina will be a tutor at: CRMSS Ontario 2025
Previous courses: CRMSS Pacific 2024

Credit: Takumi Hayashi
Organist and harpsichordist Christina Hutten has presented recitals in Canada, the United States, and Europe, including performances in concert series hosted by the Oude Kerk in Amsterdam, the Hooglandsekerk in Leiden, Early Music Vancouver, the Universities of British Columbia and Calgary, and others. She performs regularly with Pacific Baroque Orchestra and has appeared as concerto soloist with the Okanagan Symphony, the Vancouver Academy of Music Symphony Orchestra, and the Arizona State University Chamber Orchestra.
Christina is also an enthusiastic teacher. She coaches and coordinates the early music ensembles at the University of British Columbia and has given masterclasses and workshops at institutions including the Victoria Baroque Summer Program, Brandon University, the University of Manitoba, Wilfrid Laurier University, Canada’s National Music Centre in Calgary, and the Tafelmusik Baroque Summer Institute. Funded by a generous grant from the Canada Council for the Arts, she pursued historical organ studies in Europe with Francesco Cera, François Espinasse, and Bernard Winsemius. Christina obtained a Master’s degree in Organ Performance from Arizona State University under the direction of Kimberly Marshall and an Advanced Certificate in Harpsichord Performance from the University of Toronto, where she studied with Charlotte Nediger. She is now a Doctoral candidate in musicology at UBC.
Lucas Harris
Back to topTafelmusik Baroque Orchestra, Toronto Continuo Collective, Vesuvius Ensemble
Lucas will be a tutor at: CRMSS Ontario 2025, CRMSS Pacific 2025
Previous courses: CRMSS 2018, CRMSS 2019, CRMSS 2021, CRMSS 2022, CRMSS Ontario 2023 , CRMSS Ontario 2024, and CRMSS Pacific 2024

Lucas Harris is thrilled to have supported CRMSS Ontario since the course’s inception, accompanying singers on various types of lutes as well as providing leadership in the solo song and lute workshop components.
Lucas discovered the lute during his undergraduate studies at Pomona College, where he graduated summa cum laude. He then studied early music for two years in Europe, first at the Civica scuola di musica di Milano and at then at the Hochschule für Künste Bremen. After five years in New York City, he moved the base of his freelance career in Toronto, where for over two decades he has served as the regular lutenist for Tafelmusik Baroque Orchestra. Lucas is a founding member of the Toronto Continuo Collective, the Vesuvius Ensemble (dedicated to Southern Italian folk music), and the Lute Legends Collective (an association of specialists in ancient plucked-string traditions from diverse cultures). Lucas plays with many other ensembles in Canada and the USA and has worked in recent years with the Helicon Foundation, the Smithsonian Chamber Players, Atalante, The Newberry Consort, Les Délices, and Jordi Savall / Le Concert des Nations. Lucas has a great passion for education, and has served as a coach/accompanist/lute instructor/lecturer/chorusmaster for several workshops including Oberlin’s Conservatory’s Baroque Performance Institute, the Tafelmusik Summer and Winter Baroque Institutes, the Lunenburg Academy of Music Performance, Early Music Vancouver’s Baroque Vocal Programme, and his own online Baroque Voice & Continuo Academy.
In 2014 Lucas completed graduate studies in choral conducting at the University of Toronto. Upon graduating, Lucas was chosen as the Artistic Director of the Toronto Chamber Choir, for which he has created and conducted some 25 themed concert programs. He has also directed projects for the Pacific Baroque Orchestra, the Ohio State University Opera Program, Les voix baroques, and the Toronto Consort.
One of Lucas's many pandemic Projects’ was the reconstruction of 12 solo voice motets by the Italian nun Chiara Margarita Cozzolani which are available for free download on the Web Library for Seventeenth-Century Music.
www.lucasharris.ca
Lucas says:
"CRMSS is always one of the highlights of my year, and I'm especially excited that I'll be able to participate in both the Ontario and Pacific courses in 2024. As always, I look forward to making music with other "keeners" who love Renaissance music as much as I do. See you at CRMSS!!!!!"
Dr. Kate Helsen
Back to topWestern University, London Canada
Kate will be a tutor at: CRMSS Ontario 2025, CRMSS Pacific 2025
Previous courses: CRMSS 2018, CRMSS 2019, CRMSS 2021, CRMSS 2022, CRMSS Ontario 2023 , and CRMSS Ontario 2024

Before teaching Music History at Western University, Kate held a two-year post-doctoral fellowship from the Social Sciences and Humanities Research Council of Canada (SSHRC) at the University of Toronto, researching musical notation in the 12 th and 13 th centuries. Her doctoral research focused on Gregorian chant transmission, orally and through the earliest notated books. She has published articles in Plainsong and Medieval Music, Acta Musicologica, the Journal of the Alamire Foundation, SPECTRUM, and Early Music.
She has been a researcher with many projects around the world including Portugal, Ireland, Germany, Belgium, as well as here at home in Canada; usually, her role focuses on connecting the musicological 'dots' with the technological tools now available to researchers in the Humanities. She is currently involved in developing software and analytics for medieval musical document analysis and chant melody comparisons on a large scale, in several SSHRC-supported projects. She sings professionally with the Tafelmusik Chamber Choir, in Toronto.
Kate says:
"The kind of happy symbiosis that CRMSS can achieve between musicianship and musicology is incredible, and I look forward to it every year as a kind of musical miracle."
CRMSS Ontario 2025 International Scholars
Back to topUniversity of York, UK
This year's CRMSS Ontario 2025 International Scholars will be present at: CRMSS Ontario 2025

CRMSS International Scholars on our CRMSS courses come as a pre-formed group, the members of which already know one another and have worked together before, and share their talents and experience with the rest of the CRMSS participants over the course of the week. They act as leaders within the larger singing groups, and participate in the small group sessions in amongst the Canadian participants, as well as getting some time to rehearse on their own.
In 2022, we were pleased to have with us five students studying for a master's degree in Music at the University of York, in the UK, enrolled in York's "Solo Voice Ensemble Singing" MA pathway (known as "SVES"). After this proved so successful, we welcomed back another cohort of SVES singers to CRMSS Ontario 2024 and this year we are so happy to have yet another group coming to CRMSS Ontario 2025!
The SVES course at York is a performance-based master's level course of study dedicated entirely to one-per-part ensemble singing. The programme lasts one year and includes daily rehearsing and coaching, three major recitals, and opportunities to perform with all of the University of York's many other singing groups.
For more information on SVES, please have a look at the University of York's website.
This year's CRMSS International Scholars at CRMSS Ontario 2025 are:
Alice Chapman, soprano
Beth Yates, soprano
Morven McIntyre, alto
Raphael Geldsetzer, tenor
Adam Hilton, baritone
Sebastian Thomas, bass
Beth Yates is a Soprano from Surrey, UK. She held several colleges chapel choral scholarships while studying German and Italian at Durham University and is now studying for a Master’s in Solo Voice Ensemble Singing at the University of York. Her year abroad meant she was able to attend an intensive early music course in Brescia, Italy. Beth also co-founded The Phoenix Consort, a successful new vocal consort who placed third at the Tolosa Choral Contest in 2023 as well having as a recent CD release of new music by composer Alexander Campkin called ‘I Saw Eternity’. Beth also attended the Samling Academy in 2023 and performs regularly as a soloist. Recent solo highlights include Handel’s Messiah, Bach’s St John Passion, St Matthew Passion and B Minor Mass, Zelenka’s Miserere, Mozart’s Requiem, and Fauré’s Requiem.
Beth says:
"I’m so excited to join CRMSS and sing some wonderful music. Extra exciting as I’ve never been to Canada before!"
Alice Chapman is a soprano from Sheffield, UK. Alice studied English Literature at Bristol University where she also held a music scholarship. She conducted the Bristol University Madrigal Ensemble and has sung in choirs across England, including the Fitzhardinge Consort and the Opera North Youth Chorus. Before university, she also studied at Chetham’s School of Music. Alice is now studying at the University of York, on the MA Solo Voice Ensemble Singing course. When she’s not singing, Alice loves reading and sketching.
Alice says:
"I’ve never been to Canada so I’m very excited to visit Ontario and to meet all the singers on the course!"
Edinburgh born, Morven McIntyre is a First-Class music graduate of Edinburgh Napier University. She is currently studying for a Master of Arts degree in Solo Voice Ensemble Singing at the University of York, under the direction of Robert Hollingworth. Morven is an alumnus of Genesis Sixteen and has been an alto scholar with the Schola Cantorum of St Mary’s Catholic Cathedral, and a Young Singer with the Scottish Chamber Orchestra Chorus. She is also a member of the National Youth Choir of Scotland (NYCoS). Highlights of her years with NYCoS include 4 tours. The first, to Carnegie Hall, New York City, in October 2018 saw the choir perform Berlioz’s Lelio. In the most recent European Tour in August 2023, she performed as the alto soloist in the 'Pie Jesu' of Durufle’s Requiem, both in Paris and Mechelen. Outside of music, Morven is an avid reader and loves to bake.
Morven says:
"A first trip to Canada which features music making? Count me in! I’m so thrilled to have this opportunity to further my knowledge of renaissance music and see a new part of the world."
Raphael Geldsetzer is a tenor initially hailing from London (England!). He started singing at age 8 when he joined the choir of Southwark Cathedral, of which he was head chorister for 3 years. He has sung with various professional choirs including CRMSS Ontario Bristol Cathedral Choir, the Fitzhardinge Consort, and Kantos Chamber Choir. Raphael moved to York last year to pursue singing further with the MA Solo Voice Ensemble Singing course, having completed a BA and MA in Languages at Bristol. In York, alongside his Master’s he is also a Deputy Vicars Choral at York Minster. Outside of a choir rehearsal, you can usually find Raphael on a train somewhere.
Raphael says:
"I’m hugely excited to take part in this course in Canada, travelling a very long way to sing exceptional renaissance music is everything I enjoy and more."
Adam Hilton is a baritone and conductor based in York and London, UK. Born in Wrocław, Poland, Adam found his love of music after moving to England and becoming a chorister at Lancaster Priory. He graduated from the University of York in 2022, after starting a chamber choir in his final year. After two years of freelance singing in London, where he sang in churches across the city, received the Hertford Choral Society Conducting Fellowship and worked for groups including the London Youth Choirs, Adam is now back in York on the Solo Voice Ensemble Singing Masters led by Robert Hollingworth - director of the innovative solo-voice ensemble I Fagiolini. Adam frequently sings in concerts and recording sessions, with last year’s highlights including performing Beethoven 9 from memory at the BBC Proms, being the baritone soloist in the Haydn Nelson Mass at Warwick Arts Centre and recording the latest New Composers album for NMC.
Adam says:
"My first time in Canada! Can't wait to see what singing on the other side of the world is like. Do the notes go the same way? Also, is there a limit on how much maple syrup one can buy? Asking for a friend."
Sebastian Thomas graduated from the University of Oxford in 2023, having read music and sung as a Choral Scholar at Christ Church Cathedral. Since then, he has enjoyed a varied London (England) based portfolio career, with a prestigious choral scholarship at St Martin-in-the-Fields as well as a number of solo engagements, including Handel’s Messiah and Haydn’s Seven Last Words on the Cross. He has released a number of compositions and arrangements online with over 7 million streams on Spotify. He is currently studying for a Masters in Solo Voice Ensemble Singing at the University of York, learning under Alexander Ashworth and Robert Hollingworth.
Sebastian says:
"I'm very much looking forward to visiting Ontario as part of this cultural exchange - and I'm particularly excited about the culinary delights that Canada has to offer!"
CRMSS Pacific 2025 International Scholars
Back to topUniversity of York, UK
This year's CRMSS Pacific 2025 International Scholars will be present at: CRMSS Pacific 2025

CRMSS International Scholars on our CRMSS courses come as a pre-formed group, the members of which already know one another and have worked together before, and share their talents and experience with the rest of the CRMSS participants over the course of the week. They act as leaders within the larger singing groups, and participate in the small group sessions in amongst the Canadian participants, as well as getting some time to rehearse on their own.
In 2022, we were pleased to have with us five students studying for a master's degree in Music at the University of York, in the UK, enrolled in York's "Solo Voice Ensemble Singing" MA pathway (known as "SVES"). After this proved so successful, we welcomed back another cohort of SVES singers to CRMSS Ontario 2024 and this year we are happy to introduce our CRMSS International Scholars programme to CRMSS Pacific 2025!
The SVES course at York is a performance-based master's level course of study dedicated entirely to one-per-part ensemble singing. The programme lasts one year and includes daily rehearsing and coaching, three major recitals, and opportunities to perform with all of the University of York's many other singing groups.
For more information on SVES, please have a look at the University of York's website.
This year's CRMSS International Scholars at CRMSS Pacific 2025 are:
Eleanor Miles-Kingston, soprano
Olivia Duffin, soprano
Lucy Ormrod, alto
Will North, tenor
Maxim Fielder, bass-baritone
Eleanor Miles-Kingston is a soprano from North Yorkshire, having began her singing journey as a chorister at York Minster. Now a BMus graduate from Royal Holloway, she has held choral scholarships at Royal Holloway and Queen’s College, Oxford. Both of which gave her the opportunity to be a soprano soloist for the Messiah, sing on multiple CD recordings including Ola Gjeilo’s Dreamweaver and sing in Oxford’s incredibly beautiful Sheldonian theatre. Outside of singing, she is training to be a primary school teacher and to run three half marathons!
Eleanor says:
"As someone who has never left Europe, I’m extremely excited to have the opportunity to be a scholar with CRMSS and collaborate with musicians from Vancouver."
Olivia Duffin's passion for singing started at Christ Church Cathedral Ottawa, Canada where she was a chorister for 9 years, the last 2 years serving as Head Chorister. She completed her BMus in Classical Voice Performance at University of Victoria, Canada where she also served as a Choral Scholar at Christ Church Cathedral Victoria. She is currently completing her Master’s Degree in Solo Voice Ensemble Singing with Robert Hollingworth at the University of York, UK. When Olivia isn’t singing she loves to ride her bike, surf, and find new music to listen to.
Olivia says:
"I'm super thrilled to be coming back home to Canada for CRMSS! This time though I'm lucky to have alongside me a group of very talented singers that happen to be my friends as well - Thank you Greg for the opportunity to make music closer to home!"
Lucy Ormrod started her musical training when she became a chorister at Manchester Cathedral aged 8, at the same time studying at the neighbouring Chetham’s School of Music. Lucy is a recent BMus graduate of Royal Holloway University of London, where she also held a choral scholarship. Lucy is an alumna of the Genesis Sixteen program and was a Choral Scholar of St Martin-in-the-Fields. Alongside her studies on the SVES course this year, she sings as a choral scholar at York Minster.
Lucy says:
"I am really excited to travel outside of Europe for the first time, and create music with musicians from Vancouver."
Will North was born and raised in Nottinghamshire and began his musical career as a chorister at St Mary Magdalene Church, Newark, later returning there as a Choral Scholar. He completed his degree in Music through the University of Lincoln, alongside a Choral Scholarship at Lincoln Cathedral, where he studied under Mark Wilde and Berty Rice. Whilst at Lincoln, he appeared several times on BBC Radio 3, and featured both on BBC Songs of Praise, and in the recent film Napoleon. Will regularly sings with the Yorkshire-based group the Tallis Consort and with Kantos Chamber Choir, and has sung alongside the Tallis Scholars. Recent solo engagements include Handel's Saul and Messiah, Bach's St John Passion and Cantatas 61 and 140, and Mozart Requiem. Will is now undergoing his MA on the prestigious Solo Voice Ensemble Singing course at the University of York, and regularly sings as a deputy Vicar Choral at York Minster. When not doing anything music related, Will enjoys walking his dog, cooking, and watching football.
Will says:
"I've never sung outside the UK before, never mind outside of Europe. I'm really excited to be a part of CRMSS!"
Maxim Fielder is a bass-baritone from Herefordshire, UK. He read Music at the University of Oxford and graduated with first class honours. While at Oxford, he held a choral scholarship with the Choir of The Queen’s College under Owen Rees, in which capacity he sang with Sharang Sharma (CRMSS Tutor) and alongside Greg Skidmore (CRMSS Tutor) in concerts with Contrapunctus. He also deputised in city, collegiate, and cathedral choirs, and performed with New Chamber Opera and The Oxford Gargoyles. He is now studying under Robert Hollingworth for the MA in Solo Voice Ensemble Singing at the University of York, and is a Deputy Vicar Choral at York Minster and Ripon Cathedral. Alongside his studies, he freelances as a bass ensemble singer and a collaborative pianist, and is preparing to pursue a parallel career in the law. Maxim enjoys musicking with his friends, indoor climbing, and home-cooked food.
Maxim says:
"Having never crossed the Atlantic, I’m very excited to experience a new vocal environment, climate, culture, cuisine…"